There are ways to do that kind of humour beyond the joke itself being saying that Justin Bieber exists. It seems very much like the franchise that started in 1986 was still trying to exist there with a few pop cultural jokes to make it current but oddly comes off as anachronistic Which isn’t necessarily a bad thing but they were eye rolling as oppose to laugh inducing. They also poke fun at kids obsession with cell phones and instagram. These Jokes come off as lazy and will do nothing but serve to lock the film within the timeframe it was made. Mainly jokes involving Obama care, Justin Beiber and Miley Cirus. I Honestly believe I can pick out any line he wrote himself. He’s a man who does a lot of interviews so if you follow him as many fans do you can tell he let’s his opinions and humour speak through many of his characters. Kaufman’s hand in direction and “added material” are very apparent. If that wasn’t enough there was added material by Lloyd Kaufmen and Casey Clapp. Three official hands passed over it Travis Campbell, Derek Dressler and Aaron Hamel. For all of the diologue that’s fast, slick and genuinely funny there are just as many moments that are dumb and cliché. The frantic script is something of a patchwork. The weaker moments in the film are honestly hard to really pin-point.
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Christ, some of them could have been filmed at any time. Also, the amount of cameos in this thing is ridiculous, most of them friends of Lloyds and independent films who took one afternoon out to do minor scenes. From the leads to the minor characters, everyone seemed very game with the material. I liked all of the casting in this movie. By calling attention to absurd plot points or the narrative structure it generates genuine laughs that won’t make you feel too immature for going along with. Duck-Rape, melting bodies, giant mutated dicks the works.Ĭasual people may dismiss it as crass and cheap entertainment but there are moments where this movie’s humour is brilliant. Viewers unfamiliar with the company will be taken aback by the amount of nudity and violence in it. What I mean by that is that this film will feel very familiar to Troma fans. Troma films have their own brand of humour, violence and sensibility that make them wholly unique as a company’s brand but not on an individual level. “We thought we were in that other “return” Movie” Cretins are essentially evil 80’s punk-rockers. The foodstuffs still contain the very same toxins from the nuclear plant and well…they mutate the kids in to Cretins. So much so that they end up feeding toxic Taco’s to the student body. We’re then told that Nuclear activism is passé so instead the plant is demolished and replaced by Tromorganic Foodstuffs Conglomerate. The film opens with narration (provided by Stan Lee) that breezes us past the last three movies general plot which is a high school in Tromaville that’s built next to a nuclear power plant. The Film Stars Asta Paredes and Catherin Corcoran.
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Apparently Quentin Tarantino told Director and co-founder of Troma, Lloyd Kaufman to split up the film in to two parts like Kill Bill. It’s not only a return to the Troma franchise Class of Nuke Em High from 1986 it’s also the first part of a two part movie. Return to Nuke ‘Em High Vol 1 is as the name suggests. Well I haven’t been away that long but it sure feels like it. Like me, it’s an instalment to a franchise that hasn’t seen life in about twenty years. (Technically reviewing them) Since I’ve been away there have been a lot of comings and goings in the horror movie industry but, considering that this is a return for me I want to talk a little about Return to Nuke Em High Vol 1. I left to chase the comic book dragon for a couple of years and at least for now I have an immense burning desire to return to celebrating horror. What’s going on at Nuke Em High? Jesus Christ, that’s what I’d like to know…